"The standout performances of the ensemble cast truly brought the production to life. Amie Lytle’s Betty 2 undergoes the captivating shift from a meek and unconfident woman who defines her identity through a lackluster marriage with her husband, to commanding the stage with the ferocity of a lion punctuated by wild guitar riffs." HeyRhody
"As Betty 1’s friend and fellow frustrated housewife Betty 2, Amie Lytle must work with a much quirkier revelation, but she inhabits both the dark and comedic extremes of her oddball character with winning conviction." Broadway World
"Best of all is when Lytle’s Betty 2 is assigned the role of Lion and finds the confidence to explore her inner beast. This occurs after the introverted character first discovers her vagina (courtesy of a hand mirror provided by Betty 3), which she deems more fascinating than a David Attenborough wildlife documentary. Her show-stopping, show-ending musical tribute to her nether region is a high-risk/high-reward affair that pays off big time." Boston Globe
Romeo and Juliet, Burbage Theatre Company
"The cast brilliantly conveys the sheer aliveness of these doomed characters, making their unavoidable demise matter. The affection between Juliet and her nurse (Amie Lytle), or Romeo and his friends, shines so bright that these characters immediately gain our sympathy." Broadway World
"...spell binding performances..." "Another terrific performance is by Amie Lytle as Juliet's nurse, who serves as a confidante to the vulnerable girl." Edge Media Network
"Two of the most outstanding performers in this show are David Sackal as Friar Laurence and Amie Lytle as the Nurse. Their vocal prowess, line delivery and facial expressions are astonishing. David's emotion packed lines are wonderful to listen to as he stops Romeo from killing himself and concocts the plan to make Juliet appear to be dead from a potion, he gives her. Amie handles both the comic and dramatic moments wonderfully. She has many comic moments while chasing after Juliet around the stage and a comical one with Mercutio and Romeo, too. Amie's most poignant moment comes when she finds Juliet dead in her bed. Her reaction will leave you with tears in your eyes." Tony's Corner
"This is an outstanding 'Romeo and Juliet." "...there are a host of excellent performances. Some to watch for: Amie Lytle as the Nurse, David Sackal as Friar Lawrence, Andy Stigler and Francesca Hansen-DiBello as the Capulet parents, and Eddy Tavares as an angry Tybalt." Pawtucket Times
Bread and Butter, Harbor Stage Company
"Lytle’s Francesca has some of the funniest bits, especially one in which she gropes herself with kitchen-mitt props." The Provincetown Independent
“90 minutes of delight… lighthearted, quick-witted, moving, and a great deal of fun.” Ptownie
"Will have you grinning from start to finish" Provincetown Magazine
“I can’t remember hearing an audience laugh this loud, this consistently or with so much abandon.” Cape Cod Times
Five Women Wearing The Same Dress, Burbage Theatre Company
"Lytle brings a raw intelligence and integrity to the stage as the outcast Mindy struggles to win acceptance." Edge Media Network
FINISH LINE, Boston Theater Company and the Boch Center
"The stellar cast of 11, playing 14 different roles, includes local thespians Karen MacDonald, Paula Plum, Amie Lytle, Lewis D. Wheeler, Greg Maraio, Ed Hoopman, Danny Bolton, Tonasia Jones, and Omar Robinson plus Sam Tanabe and Los Angeles actress and Paralympian Katy Sullivan." "One of Downing’s daughters, preschool teacher Erika Brannock (Lytle), represents the survivors. Despite having lost a leg and enduring 22 surgeries, she speaks with pride about being able to pick up one of her students while slyly admitting, “Of course I picked the smallest kid that weighed the least amount.” Boston Globe
"Actress Amie Lytle, portraying Ericka Brannock, a Baltimore preschool teacher who lost her leg and was the last to leave the critical-care unit, delivers the most inspiring story, dotted with humor (she has a cat named Fenway) and pathos. Her defining moment is not the tragedy, but "how I come out of it." Ditto for the rest of the city." Wicked Local Cambridge
"That leaves the actors the not so simple task of being transparent, not getting in the way of what is already there, but bringing it naturally alive. This cast is among Boston’s best and they did us proud. " "At the fulcrum of the play she is joined on stage by Paula Plum, breathtaking as Carol Downing a massage therapist from out of town, searching for her daughter Erika a pre-school teacher (the brightly charismatic Amie Lytle)." Joyce Kulhawik
"These people – from ordinary spectators to heroic medics – are remarkably and absolutely believably brought to life by 11 spot-on actors, and their stories are rivetingly directed by Frangieh." Cape Cod Times
"Finish Line is a profound examination of how a community endures tragedy. It is both raw and sensitive without falling into the easy traps of melodrama and exploitation. You will leave the theater certainly with pride for Boston, but more importantly with a faith in humankind." WGBH
THE KRITIK, Harbor Stage Company
"...boastfully described by Chief Minister Chairwoman Shrand (adorably officious Amie Lytle) as “the fifth-most admired city in the sixth-most popular county in the Eastern half of the Rural and Subrural Provinces of Russia.” Boston Globe "As actors, townspeople and Volya meet in a tavern, the discussion flies with delightful humor and insight." "The cast of 10 powerfully fills the stage." "Amie Lytle is very fine as Shrand. As others speak, she makes silent comments with an array of comic facial expressions." Cape Cod Times
"David Oliver Nelson and Amie Lytle provide comic relief through the characters of Mr. Mukhanonononov (that name!) and Shrand, respectively." Provincetown Banner
HOLY LAUGHTER, WAM Theatre
"Now WAM Theatre presents us with “Holy Laughter” by Catherine Trieschmann, a play that may well join the other plays mentioned above as a very revivable comedy play whose situation touches us, enlightens us and amuses us — all at the same time." "Amie Lytle has an inner energy that seems to drive Father Abigail — or is it Mother Abigail, I’m never sure — onto a carousel that spins out of control." "That is the intensity the play requires of its central character and it is what Lytle gives us in this production. It’s an amazing, funny 'spin' on the traditional role of Priest at the center of the action." The Berkshire Edge
THE VOICES OF WE, 333 Productions, Boston Playwright's Theatre
"The night particularly belonged to Amie Lytle in, “The Other Cheek,” and Lynn Wilcott in, “Rubenesque.” They were brave with their choices using either the full stage or almost none of it. Their characters were emotionally fragile but physically stable. The dichotomy was impressive." "They were plentiful because the writing was effective and the acting was very good." New England Theatre Geek
UNCLE VANYA, Harbor Stage Company
"electrifying production" "Chekhov's complex and eminently flawed characters are brought to scintillating reality by the five actors who charge the play with pulsating tension. You're not likely to see better acting on a Broadway stage." "Amie Lytle's discerning portrayal of the all-suffering Sonya, who tries to make the best of her unhappy life, brings forth the unfairness that poignantly riddles the play; a gentle soul and peacemaker in the family, she endures despite all the despair that rages around her." Cape Cod Times "As Sonya, Amie Lytle is perfect as the estate-locked daughter desperate herself to find a relationship, something she feels is difficult because of her plainness. Lytle’s acting is superb, embodying Chekov’s thread of unrequited love woven throughout the play as she constantly tries to catch the eye and attention of Dr. Astrov." Barnstable Patriot
"More importantly, the plight of these characters is timeless and transcends geography so that it is as relevant in a theater on a Cape Cod beach as it was in 19th-century Russia. But also, the Harbor Stage Company production gives us strong performances that inject a vibrancy into the text that pulls us in and keeps us there through till the end." Provincetown Magazine
not JENNY, Bridge Rep of Boston
"Jenny – who gives new meaning to the phrase 'bitch on wheels'…" "Amie Lytle as Jenny literally kept the play moving. As she artfully trundled about in that wheelchair, her emotional shifts from vague to sarcastic to angry to psychotic and back to vague againkept this reviewer blissfully on the edge of his seat. Her persistent use of baby talk was a delicate but effective choice and eerily mirrored her pitiful situation; a “child” who can’t bathe herself and who’d never be able to visit Uncle Grumpy without assistance." Vincent McPeek Theatre Reviews "The dialogue between the clueless popular girl and the "gloomer" (as Jenny dubs her sister) is especially effective and brutally funny - particularly in one exchange when Jenny chides her sister about her inability to attract boys, and Not Jenny responds by revealing that she is a lesbian." "...the acting is the real strength of this production." Boston Events Insiders
"...intense, intimate and beautifully acted…" "The actors do a remarkably believable job of shifting personas on the spot." "Jenny switches from being a desperate, wounded and sadistic adult to being a perfectly bitchy and self-involved high school prima donna. Though the emotional landscapes are related, Amie Lytle does a great job of calling forth the variant forms of nastiness that her two points of character demand." Boston Arts Diary
CAT ON A HOT TIN ROOF, Wellfleet Harbor Actors Theater
"She does beautiful battle with her sister-in-law Mae, portrayed with delightful wickedness by Amie Lytle. We hate Mae not because she is deceitful and snotty, nor because she is conniving, as most every character is. Rather it is because she embodies the only one that really has some respect for an establishment that even this ruling family can see has outlived its usefulness, if it ever had any. She plays the villain with a fine ease, keeping Mae from becoming a caricature and giving her humanity." Provincetown Magazine
"Amie Lytle sounds just the right tone as Mae, the other 'cat' in the play. A busybody who personifies the description of 'catty', she is constantly attacking Maggie by casting aspersions on her infertility." Cape Cod Times
"Beyond the acting performances, this production is also about the music...Lytle sings at a couple of points in the program. Russell's narration is charming and homey, while Lytle has a powerful voice that I wish we heard more of." Provincetown Magazine
"Amie Lytle portrays Daisy with warmth, innocence and a very likable presence. She, and the whole cast, sing well and are clear and easy to hear." "The whole cast is endearingly excellent; they work well separately and in ensemble." Cape Cod Times "As Daisy, Lytle is a pleasure to watch as she brings the lively legend to life..." "The multi-aged and talented cast maintains an entertaining and colorful country accent throughout the hour-and-forty-five-minute play..." Wicked Local